Bristol Science Film Festival 2021 – Cabot Institute for the Environment film prize

 

 

Film is a medium that so many of us connect over, whether going to the movies, watching YouTube videos with friends, or sharing clips on Instagram. With the increasing prevalence of mini-movie-making machines (smartphones), we think film is a great and accessible form of science communication! Bristol Science Film Festival runs an annual science film competition to support all those film-makers trying to tell the most interesting facts (or science fictions), no matter their resources. Shortlisted films are screened on the Big Screen in Bristol and at a special film-makers screening during the Festival. 

 

There will be an additional prize awarded this year for a short film submitted to the competition with an environmental or climate change theme. Cash prizes will be awarded to the winner and runner up on behalf of the Cabot Institute for the Environment.

The University of Bristol-based Institute supports evidence-based and interdisciplinary solutions to environmental challenges. The Institute makes use of an academic network of 600 that collaborate to improve the way we live now and tackle the negative impacts we have on our surroundings.

The Cabot Institute wants to see your short science fiction or fact films with an environmental theme. These could explore topics from water and food security to new technology that will help us deliver a low-carbon future. You could even show us what you think our future built environment will look like.

The Cabot Institute will award £150 to the winner and £50 to the runner up. To be considered, just submit your environmental film to our Festival via FilmFreeway and you’ll automatically be considered for the Cabot Institute for the Environment film prize.

Already submitted your film? We don’t make final decisions until after the competition closing date of May 1st, 2021. If you have already submitted your film on an environment-related topic, it’ll automatically be eligible for the Cabot Institute prize.

Any questions, please get in touch. Good luck!

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This blog was reposted with kind permission from the Bristol Science Film Festival. View the original blog.

Food Connections

Last week the Bristol Food Connections festival explored “all that is GREAT about food in Bristol (and beyond)” [1]. This made me realise that what I am exploring are the separations in our global food system. While so much of food in Bristol is ‘GREAT’ there is still much work to do about what is NOT SO GREAT. In the global food system, the separations between those who produce and those who consume what is transported around the world are many: income, origin, lifestyle, language, history, opportunities, culture, diet, microbiome – you name it there are separations in the way we eat and live.

This weekend I co-facilitated an event, Philosophy Breakfast: The ethics of global food production, with Julian Baggini, philosopher and author of the book, Virtues of the table: How to eat and think, [2]. Julian focused our thoughts on ethics and justice, and I grounded us with a case study, on tomatoes produced in Morocco, based on my recent fieldwork. We were treated, literally, to food for thought, in the form of a breakfast bap and coffee from the Boston Tea Party as well as a full house of attendees ready and willing to reflect on their role in the food systems. I was determined that this group, who had been motivated enough to get up for a 10 am Sunday start, also be given space to tell us what we should be considering in relation to the ethics of food. So, we invited each table to choose a breakfast food element to reflect upon, bread, coffee, tea, bacon, tomatoes and mushrooms, as they slowly digested its nutrients and food dilemmas.

Framing the session Julian considered our role as consumers by drawing on the thoughts of some classical philosophers from Plato to Sen: we should not, he suggested, be afraid of always getting everything right, but we should at least do our best to avoid contributing to what we find clearly morally wrong. How to go about this? I asked our participants to think of questions which might help us reflect on each of the breakfast items to help us consider these dilemmas. Furthermore, perhaps we might have questions for others; for the supermarkets, for the governments, and for the companies involved. My favourite question from this savvy group was, for meat: “was it worth an animal dying for me to eat this?” something that connects to my blog on the great value of seeing meat as sacrifice: ‘L hawli‘.

My talk related more to the question about coffee, “What labour standards (how bad would they be) would stop you buying coffee?”. What a question. International labour standards usually boil down to a mutual agreement that the countries involved in trade will apply their national labour laws. They may also be required to ensure that these national laws meet international standards, but what are these international standards? Since the 1998 ILO Declaration on Fundamental Principles and Rights at Work (ILO, 1998) [3], international labour law has been focused, or in practice narrowed, depending on your perspective, to just eight core conventions covering four areas (collective bargaining, forced labour, child labour, non-discrimination at work), out of a possible 189 conventions covering many other very important areas [4]. So this is a relatively weak starting point, which in most cases simply attempts to ensure already existing minimum standards (laws) are implemented.

What happens also, when national laws do not meet the needs of workers? Too often agricultural work is excluded from normal labour standards, or minimum wages are lower in this sector. This is not just the case in poorer countries. In the USA, the world’s richest state, many agricultural workers are exempted from minimum wage and overtime entitlements of the main national labour legislation, the Fair Labour Standards Act [5]. This is discrimination sanctioned by law.

Such discrimination between agriculture and other sectors is also the case in Morocco, where I carried out fieldwork. Whilst the legal minimum wage in other sectors is £8.29, the minimum day wage for agricultural workers is significantly lower at £5.37. OK, you may think, but life is cheaper there. Not that much cheaper. We can convert that minimum agricultural wage to a UK equivalent via the Purchasing Power Parity formula, (or PPP) this tells you what the equivalent wage would be in the UK. That equivalent of that minimum agricultural wage in a UK context with UK housing, food and other costs would be £13.51. This is not enough to live comfortably, barely enough to survive.

This is why then, the first findings chapter of my thesis is entitled “No Money”. If a major supply chain, feeding us year round with produce that we increasingly depend upon, rests on a starting point of an unreasonably low minimum wage, we cannot consider this a socially sustainable global food connection. And it is a connection. Although we are separated by distance, language, culture and long food chains, it was not difficult to find tomatoes just on our doorstep. Even last week when the ‘counter-season’ was officially over (as we now produce more in the UK so there is less market for non-EU producers) I could easily identify tomatoes in Bristol from a major company in business just outside of Agadir, Morocco (where my research is focused). I know workers from this company’s greenhouses and packhouses and spent months in daily conversations with them about what needs to change. They are calling for increases in wages and working conditions, better childcare and better social infrastructure. The separations then, are there to be bridged.

Transparency came up a lot on the morning of our event. How is there so much information about the attributes of food itself, and so little about those that produce it? We can only find out about food if actors involved in the sector are willing to be open (governments, retailers, employers). This showed at the Bristol Fruit Market, which I also visited as part of the Food Connections festival. The openness of the owners to discuss their business and show us around their distribution centre was in very clear contrast to the supermarket distribution centres which are shrouded in secrecy. Yet this is not the case at every stage of the process and it is only by asking questions, and showing that we care, that we can have any leverage at all to shift the harshest dynamics of global food systems.

Why are wages so low in the food sector? How can we revalue food? How can we keep alternative routes to market going (such as through wholesale)? How do we know if workers are treated fairly? What does that mean? How can we improve social and labour conditions in global production? These some of the questions that I am working on at the moment.

Groups feed back from their discussions at the Philosophy Breakfast event 17 June 2018

[1] Bristol Food Connections Festival website

[2] BAGGINI, J. 2014. The virtues of the table: How to eat and think, Granta Books.

[3] ILO 1998. ILO Declaration on fundamental principles and rights at work. International Labour Conference. Geneva: International Labour Office.

[4] A list of the 189 ILO conventions

[5] See, Guide to the Fair Labor Standards Act

[6] This is known locally as the difference of the SMIG, the minimum legal industrial wage, and the SMAG, the minimum legal agricultural wage. The SMIG is set by the hour (13.46 Moroccan Dirhams). An 8-hour equivalent of the SMIG comes to the GBP of £8.29. This can then be compared to the minimum agricultural wage, set by the day at 69.73 Moroccan Dirhams, equivalent to £5.37 per day.
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This blog is written by Cabot Institute member Lydia Medland and has been reposted with kind permission from her original blog.  Lydia is from the School of Sociology, Politics and International Studies at the University of Bristol.

Lydia Medland

Find out more about the Cabot Institute’s Food Security research theme.

Science and Sunflowers

Sunflowerfest is an annual three-day festival of music and art held just outside Lisburn, Northern Ireland, priding itself on its family friendly atmosphere and sprawling spectrum of creative activities. Unlike the monster festivals that are held in other parts of the UK, in Northern Ireland our festivals are small (think a few thousand people, not a few hundred-thousand) with a strong focus on local talent. The perfect place for some experimental, creative science outreach…

In 2016, I contacted the organisers and floated the idea of a science outreach stall based upon my research and others in BRIDGE and the Cabot Institute. The idea, called Living Earth, was new, reasonably grand and completely untested. The response was a very enthusiastic “yes please!”

So, last year a squad of five outreachers (Alan Kennedy, Emily White and Michael Cooper of the Cabot Institute, plus Dewi Owen and Zuleika Gregory our puppeteers) arrived in blustery Northern Ireland and over the course of the festival recreated the entire history of Earth. 4.5 billion years in 3 days. With the help of punters at the festival, we built a 1.5 m diameter model of the Earth out of willow, foliage, recycled and craft materials. As the Earth was built, we recreated many of the major processes and events that shape it today, from the placement of the continents, the expansion of biomes and climate zones, the formation of the cryosphere and the destruction of the Anthropocene.

 

As well as this geological ‘Big Art Attack’, crafts and a puppet show entitled This Soup Tastes Funny! about the evolution of life were put on in the festival’s dedicated Kids Zone. Our puppets, Doug and Barry, had to travel back in time to the primordial soup and race through evolution in order to relive the first day of the festival. Five time periods, four puppet costume changes, asteroid impacts, crowd participation and even a song left the young audience both entertained, but also possibly very confused… That’s a lot of science to take on-board in 15 minutes!

We (and our marquee) got battered by wind, rain and the exhausting amount of activities we were juggling, including our recreational ‘time off’. However, we certainly offered something unique at the festival and left a positive impression with the organisers:

“Just to say THANK YOU to you and the crew for all the great things you did at Sunflowerfest. So appreciate everything you do and did. We would always welcome you back to do whatever you would like!” – Vanessa, Sunflowerfest Organiser

Now, I have quite an active imagination, so that last sentence was a dangerously open invitation… With 2017’s festival theme being ‘a parallel universe’, I thought something immersive on the theme of deep time would fit right in. The new plan was to build a time machine! Or in other words transform the inside of a marquee into a jungle, to show what Ireland would have been like during the hot Eocene period ~50 million years ago. As I wrote down a proposal for the festival application, this seemed like it would be reasonably straightforward compared to 2016. In hindsight, I misjudged that.

Logistically, constructing a jungle was only possible because my mum had recently had some trees in the garden felled and she also had several hedges needing cut back. A supply of logs and some waxy leafed laurel and bay that would hold their colour after cutting for the duration of the festival made a good, but somewhat bulky start. These were attached to the marquee ceiling and a heavy metal tripod to give us a central ‘tree’ and performance space to demonstrate some tectonic themed experiments. Ferns and other leafy plants were then dug up and temporarily housed in buckets to fill out the back of the tent and childhood toys added around the stall for the jungle fauna. Finally, a small speaker playing jungle sound effects was hidden up in the canopy to complete the experience.

Obviously, a hearty dose of imagination was required to convince yourself our locally sourced, temperate vegetation was an Eocene jungle, but luckily this year our stand was based entirely in the Kids Zone, where imagination is not in short supply. Ideally, I wanted to have a Superser heater in the back of the tent to raise the temperature to 35 °C, but doubted that would pass the risk assessment. We settled for having the ambient Northern Irish temperature, but luckily, we did have a few biblically heavy rain showers to give it a nice wet rainforest feel. It took three days of preparation, cutting, digging and replanting vegetation, and five hours of construction, but eventually we had the most eye-catching stand in the whole Kids Zone. It was pretty much the Eocene.

In our jungle, we had information about how Ireland has changed over the past billion years, a floating plate tectonics game and crafted fossils and jungle wildlife to decorate the stand, all of which kept us mostly run off our feet during our three-hour slots each day. Our flagship performance however, was a bicarbonate soda-vinegar erupting volcano, as ~50 million years ago Northern Ireland was at the centre of lots of volcanic activity, forming for example the Giant’s Causeway. Without a single trial run (we spent all of our preparation time building the jungle), our resident chemistry undergraduate, Oliver Feighan, carried out the experiment in front of an audience 40 strong. It was possibly the least explosive or inspiring volcano in the world. As the foam dribbled out the top of the bottle it was met with a slow and bemused round of applause. Those kids will definitely go on to be the environmental scientists of the future.

Creative outreach at big events may not always go quite to plan, it takes time and effort and you can sometimes bite off more than you can chew, but it’s a great way reframe the relevance of research in a totally different way, speak to a new audience (a very bohemian crowd, in the case of Sunflowerfest) and just do something fun. It’s not often families can experience palaeoclimate, tribal drumming circles and the Rubberbandits* all in one day. We ended up going on to run the globe building activity from 2016 at a further two events (you can see a highlight video of the almost finished piece here). Although kids and parents found 2017’s time machine a lot of fun and it looked surprisingly effective, unfortunately I don’t think I will have time or energy to ever recreate the Eocene again! However, while I may be leaving the Eocene in the past, I highly doubt this will be my last Sunflowerfest.

*Caution, likely explicit content


Blog post by Press Gang member Alan Kennedy.